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Writers reveal their writing process

Larissa_EdwardsIt’s great to be taking part in this blog hop on The Writing Process in which different writers answer the same questions about their writing process.

The picture to the left kind of sums up my writing process. Firstly, there would be no writing process without Larissa Edwards, the wonderful Head of Publishing at Simon & Schuster, Aust, who once uttered those words “I love your story”. But look behind her: integrity, confidence, difference, passion and belief. They are all part of my writing process.

Thanks to Pamela Cook, rural fiction author of Blackwattle Lake and Essie’s Way (Hachette), for tagging me. Here is Pamela’s post from last week in case you missed it. Or why not connect with this teacher, mother of three gorgeous daughters, manager of dogs, rabbits, birds, fish and horses, on her website: www.pamelacook.com.au, Twitter: @PamelaCookAU and on Facebook. Pamela lives in the southern suburbs of Sydney and spends as much time as possible at her “other” home in Milton on the south coast of NSW. Her favourite pastime (after writing) is riding her handsome quarter horse, Morocco.

So, it’s my turn now…

1) What am I working on? 

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It’s unbelievable and mind blowing to think I am still being asked to talk about House for all Seasons after 12 months, while about to launch and talk up Simmering Season (April 1), just typed THE END on book 3 in my Seasons Collection – contracted for April 2015, and now plotting book 4 ready for 2016! Yes, this is the glamour life of a published author – NOT! I’ve also fit in a short story for an anthology, a couple of articles for the Queensland Writers’ Mag, and designed some workshops. No one warns you about the crazy hours and deadlines. But I LOVE it.
2) How does my work differ from others of its genre? 
While House for all Seasons reviews have made (humbling) comparisons to Monica McInerney and Maeve Binchy, the thing people comment on the most about my ‘Come home to the country’ stories (friendship, family relationships, and small towns keeping big secrets) is the way I balance humour with high emotion, making readers smile and cry and laugh and cry and laugh … but always with a contented sigh at the end.
3) Why do I write what I do?
It just happened. I tried writing romances, but I think my novel’s wry-humoured inhabitants (thx Rowena Holloway for that delightful description) got in the way. (I was giggling in all the wrong places!) Romantic comedy, maybe – which is where I was headed back in 2009 when my characters – filled with guilt and regrets and facing life’s challenges – had other ideas. So now it’s more “Laugh, Cry – Cry, Laugh  Kleenex” genre.
4) How does my writing process work? 
I usually start with an opening sentence and a title and wonder how I can make a story from them. I play around characters, a tag line and a blurb and away I go.
Unfortunately, my opening sentence in Simmering Season is NOT going to go down too well with some House for all Seasons readers. I can only say this…. Give it a chance. I promise you, I will not disappoint.
Well, that’s it from me. Coming up next week, answering the same writing processquestions, is three fabulous authors. I high recommend you look up and follow: Helene Young, Natasha Lester and Zena Shapter. They all love connecting with readers, as you can see, so check them out.

SafeHarbour_cover-1-low-res-676x1024Helene Young – multi-award winning romantic suspense author of Wings of Fear, Shattered Sky, Burning LiesHalf Moon Bay and her next release: Safe Harbour.

Ever wondered what a plane crash feels like? It’s all in a day’s work for multi-award-winning author and airline pilot, Helene Young.  A check captain with Australia’s largest

regional airline, her job is to ensure aircrew can handle all inflight emergencies. It comes in handy for writing fast-paced suspense novels starring feisty women and sexy men. When she’s not writing or flying Helene’s sailing the seas with Capt G and Zeus, aboard their catamaran Roo Bin Esque.

Helene’s twice been awarded the RWA RuBY and was voted Most Popular Romantic Suspense Author by ARRA in 2010 and 2011.

Website: http://www.heleneyoung.com
Facebook: https://www.facebook.com/HeleneYoungAustralianAuthor?fref=ts

WILOA web sizeNatasha Lester – award winning author of two novels, If I Should Lose You and What 
is Left Over, After. She also teaches creative writing through the Australian Writers Centre, and when she’s not teaching and writing, she spends her time playing dress-ups with her three children.

ZenaShapter300dpiZena Shapter – a British-Australian author who loves putting characters inside the most perfect storm of their lives, then watching how they get out. She likes wild rides through the gulches of adventure that spit you out breathless, and close-to-reality books of the unexplained. She’s won seven national fiction writing competitions (all blind judging), has been published in magazines such as “Midnight Echo” and anthologies like “Award-Winning Australian Writing” (Melbourne Books, 2012). She is represented by literary agent Alex Adsett.

Website: http://zenashapter.com/
Facebook: https://www.facebook.com/ZenaShapter
Twitter: https://twitter.com/ZenaShapter
Google+: https://plus.google.com/+ZenaShapter/posts
Pinterest: http://www.pinterest.com/ZenaShapter/

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Author Harvest ‘bales up’ Jenn J McLeod

Author HarvestJenn J McLeod - Rural AuthorWell Jenn, here you are. It’s all happening now. Who knew! So let’s start as we always do here on Harvest … with food.

Can I offer you scones and tea or some other homemade delight?

Definitely not! I think I’ve had a little too much harvest love from my guests. Did no one see that butt-to-camera angle when NBN News filmed me launching the Bellingen Readers & Writers Festival a few months back. No food! No butts!

At home…

Mum says garden gnomes make a house a home! Am I loud and proud in my loveIMG_0540 of garden gnomes at home, a closet gnomer or with a strict ‘no gnomes’ policy at my place?

I’m afraid I did inherit a love of the cheeky gnome. This one at my dad’s place is by far my favourite. (And clearly I have a butt obsession at the moment!)

What vegetable (or fruit) have I always wanted to grow at home?

I have a nice collection of both fruit and vegie: avocado, orange, ruby grapefruit, mandarins, oranges, custard apple, lychee, mango, lime, lemon, pecans. The vegie garden will have seasonal vegies: I love strawberries and cooking with fresh herbs.

If someone looked in the refrigerator, what would they find?

Grotesque, alien-like vegetables that I somehow managed to grow/create. (eg. my carrots are orange in colour, but that’s where the similarities end.)

If someone was to sort my wardrobe by colour, what colour would stand out? (Is anyone volunteering?)

You will mostly find the colour of ‘Opp Shop’. I do love finding a hidden pre-loved treasure. Opp shops are a kind of story starter. I find myself wondering about the person/history behind the treasure.

What am I wearing now?

Opp Shop favourites – shorts and a tank top. I love supporting the volunteers who run the shop.

Whose home would I like to housesit and why?

I was going to pick a few places. Then I thought previous Harvestees might get all precious and say: “Ooohh… Jenn J never said we could do that ….” To which my response would be: Hey folks, it’s my party and I’ll give answers in triplicate if I want to …

So, (with that out o the way) I’d do a progressive thing with some of my author pals so I can soak up some inspiration during my stay: Fiona Palmer’s (I’ve heard about that Pingaring pub!), Fleur McDonald (her photographs of home are gorgeous. Must go there.), my publisher’s house Larissa Edwards (so I can nose around in her book collection), Helene Young’s (in tropical north Queensland – say no more!), Christine Stinson’s (because she said I could stay there anytime I wanted to “come home to the city“!), Rachael Johns’ (she owns a supermarket for goodness sake. Imagine that!), Bronwyn Parry (she has kangaroos watching her work through the window), and speaking of rooms with a view – Annie Seaton’s place (have you seen that writing chair of hers?) 😉 I could go on…. In fact I could go to New Zealand and visit Rae Roadley (becasue she has found ‘Love At The End Of The Road’.)

Country curiosities…

We love a sunburnt country (slip, slop, slap and all that). What’s my ideal hat? Or am I a boots person?

Love my leather hat. Hate hat hair. Love my comfy Redbacks. Hate spiders!

If I were a tree (or animal) what kind of tree (animal) would I be?

A meerkat: stands tall, inquisitive, cautious, highly excitable, aggressive only when provoked! (Best of all, cute as all get out and no butt to speak of.)

Now for the big question… Why did the chicken cross the road?

It went to the shops to by House for all Seasons by this lovely new author called Jenn J McLeod. They heard there was a rather elaborate chook house described in the book as well as a competition with a great prize when you buy the book.

About you…

My turning point: when was that point in my life that I realised being an author was no longer going to be just a dream but a reality and a career?

A year before my 50th birthday I said: “It’s now or never.”  I’d written two novels already (contemporary fiction set in glamorous locations) but coud not interest a publisher or an agent. With a growing interest in Australian rural fiction I decided if I couldn’t sell an Australian small town story then I couldn’t sell anything and I would give up.

Two days before my 50th birthday I signed with Clare Forster (Curtis Brown Literary Agency). The rest, as they say, is history!

What is the hardest part of writing for me?

Picking up where I left off the previous day. I have to get into the flow (it’s a voice thing) which means reading a few previous chapters. I’m afraid I can’t read without editing so I get bogged down with the detail, which then ends up limiting my word count at the end of each day.

If someone was to write my biography, what do I think the title should be?

She did a good job, butt …!

Fun stuff…

What does my protagonist think about me? Would he or she want to hang out with me, the author, his/her creator?

My contemporary fiction tends to have a cast of characters rather than the protagonist/antagonist structure. Not sure any of them would want to hang out with me but, boy, would I LOVE hanging out with them. Especially a couple of my secondary boys. Will, the local cafe owner who makes great soy lattes, and Alex, the country vet and all-round nice guy. Both have the wonderful, witty (verging on wicked) sense of humour. I reckon we’d get on, don’t you?

If someone said, “Just entertain me for five minutes, I’m not going to talk,” what would I do?

I’d show you the NBN News clip and ask you: “Does my butt look big in that?”

What food would I be?

Ummm … something nutty perhaps!

What was the best thing before sliced bread?

I have no idea. I only included this question to see what others would say. But check this. Will we all be asking in a few decades, “What’s the best things since the super-duper toasting bread knife thingy?”

Name 5 uses for a stapler that has no staple pins.

With an obsessive partner there is NEVER a stapler without staple pins (nor a toilet roll holder without paper, a fridge without a cold beer, or a car without petrol).

How weird am I? Rate yourself on a scale of 1 (not) to 10 (very).

I’ve just interviewed myself. What do you think?

Don’t forget to lock March 1 into your diary (or subscribe to receive a reminder). On online launch will be … colourful and loud 😉

Now … follow that chook and go buy my book. No butts about it! Check out the links in my book room.

(My thanks to Lily Malone for suggesting I interview myself. BTW – check out her Author Harvest and the other fabulous writing folk who have come home to the country so far – Author harvest line-up.

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Pitching & Publishing: Larissa Edwards shares…

I am delighted to welcome my publisher, Larissa Edwards (Simon and Schuster, Australia) to Blog Bizzo.

With the RWA national conference a week away, we thought it timely to chat about the business of pitching from Simon and Schuster’s perspective.

 

 

1.You are Head of Publishing with Simon and Schuster, Australia. Sounds like a big job. Can you explain it in ten words or less?

I find the books that readers want to read.

2. What is the key focus at Simon and Schuster? Is Australian fiction high on your acquisitions wishlist?

The key focus at Simon and Schuster is to build our local publishing program, with no more than 15 books per year. This will be a mix of fiction and nonfiction and Australian fiction is at the top of my acquisitions list.

3. How does romantic fiction rate as a genre for Australian readers ? Does one theme stand out more than another, e.g. rural romance vs outback vs city style vs historical?

Romantic fiction is a very broad genre and I think it has something for everyone. You will have seen a huge rise in the number of rural romances published, the biggest of which is Rachael Treasure but with many great writers close behind. I am not sure if there is much room left in the traditional rural romance market for many more debut voices but you never know. I am always open to a great writer with a wonderful voice.

City romances are a little harder to sell at this stage and certainly require more character development. But my personal belief is that there will be a return to the historical saga. It’s been a long time since The Thorn Birds and All the Rivers Run and hopefully there is a new Colleen or Nancy out there.

4. In your blurb on the RWA Conference website you mention the thing that would make you lose interest in a pitch is a lack of passion from the author. Can you elaborate?

If the author doesn’t believe in their work, then why would I? This is the moment when a publisher gets to see into the world that the author has created. I want to be entranced and believe. And it is good practise for the book publicity campaign that the author will have to do. Authors need to be the whole package now, they need to come out of those garrets and into the world and talk to their readers.

5. You say you enjoy pace and tight plotting. What do you dislike?

Waffle. I think authors should always try to distil their writing down to the essentials and focus on the plot. This is certainly the case with commercial fiction, suspension of disbelief is hard to maintain if the reader is bogged down in huge tracts of poorly written description.

6. Do you (or S&S) have a preference when it comes to character point of view? (eg certain POVs – 1st, 3rd person), too many POVs, not enough POVs, etc)

No. I am open to all options. I think that the story gives the author the best pointer as to character POV. And an author may need to go back and change this as the story develops. I would say this about the creation of most books. The book that the author envisages when they start out is often very different to the one that they finally see on the shelf with their name on it. Often a planned trajectory doesn’t work in practice, or a better solution may present itself during the writing process.

7. Do you like submissions that have ‘comparison books/authors’ (eg Barbara Cartland meets J.K Rowling!)

I do find it helpful as a form of shorthand and have been guilty of using such comparisons myself when I was in Sales. And I know that when Sales people have 30 seconds to pitch a book to a buyer it helps to be able to encapsulate it. Having said that, it doesn’t help me get a true insight into the book and I always prefer a lengthier synopsis to get a better understanding of it.

8. A final word, Larissa?

Many people have predicted the death of the book but I am finding this to be an incredibly exciting time to be working in publishing. There are now many more ways to read and buy books and they may look different to how they used to but the one thing that hasn’t changed is the desire of readers for great storytelling. So keep the faith, tell a good tale and you never know, you may just get published. Good luck!

Thank you for coming home to the country and sharing your expertise.

More information about the pitching process at RWA’s 2012 conference.